“This isn’t prog!” exclaimed my colleague on the way home from work, when this one was in the player.
Of course, I defended the genre – explaining that it has always been broad enough to encompass folk, blues, rock, classical, world music and more. But I could see why he thought it too straightforward to be prog.
We sometimes envy those with successful careers, but – as public figures from Tony Hancock to Caroline Aherne have shown us – inside their skin, they may be living in a far more fearful world than their public face reveals.
Stu Garrard had lots going for him. Guitarist with trailblazing worship band Delirious?, he had singles and albums chart success in several countries; supported acts like Bon Jovi; and performed at Wembley and Glastonbury – feats dwarfed by twice playing to over one million people, once in Germany and then in India.
But when singer Martin Smith unexpectedly quit the band and the others went their separate ways, Garrard’s self-confidence went off with them.
How can I have reached middle age without having seen A Man for All Seasons until now?
Not only is it a great film (it won six Academy Awards) but the film’s hero, the 16th-century Lord Chancellor of England, Sir Thomas More, is a small twig on my family tree: one of my ancestors married his sister.
So this release was 15 years in the making? Even without the book and film that are a part of this whole project, this one would have still been worth the wait.This is the ex-Delirious? guitarist’s best release since… probably Mezzamorphis.
Posted in Reviews
Tagged Amanda Cook, Amy Grant, Audrey Assad, Beatitudes, Bethel, Delirious?, John Mark McMillan, Stu G, Syrian refugees, Terrian Bass, The Brilliance
The show was packed with life-long rock fans, and many had seen the best bands around. Some had been queuing for hours to get a good place in the sold-out venue. Word was that some had been to each of the four UK gigs on this tour.
As the show began, the crowd was animated. Along with the obligatory dry ice, the screen behind the stage was showing an impressionistic video of a man setting out on a journey. So constant were the energy and excitement of the music that the band didn’t do their first “Hello” from the stage until fifteen minutes into the second set.
At the end, the crowd reaction was ecstatic.
What was the show about, to have created such a rapturous atmosphere?
With the clear evidence of bands like Genesis in his music, it’s no surprise that Neal Morse grew up enthused by the British music scene. His is yet another story of an artist being struck by the Beatles’ legendary appearance on the Ed Sullivan Show – even though he was only four years old.
Some established writers are a byword for their genre. Agatha Christie is to whodunits what Barbara Cartland is to romance; while Terry Pratchett is to fantasy what Jasper Fforde is to… well, to what, exactly?
This dilemma has made Fforde’s journey as a novelist as simple and straightforward as that of a mountaineer scaling the Matterhorn in the dark and wearing slippers.
The first thing an agent, editor or marketing person wanted to know was, “What is it about?” Trying to explain the plot, however, was likely to elicit pained expressions and questions like, “But how can Jane Eyre be kidnapped out of Jane Eyre?” and “Why is the Greek God Prometheus claiming refugee status, while sitting in the lounge of a Thames Valley detective, who investigates crimes among nursery rhyme characters?”
When I met Jasper Fforde, he was promoting his Shades of Grey novel. He didn’t do a very good job, as he left me with the impression that it would be dull, compared with his previous work.
Having since spent a summer holiday in the Lake District, hooked on the book and bereft by the end at the thought that there was no sequel, I now consider it the height of his canon so far.
He may have left the borrowed characters behind, but this new world of his own making retains his imaginative streak and is even more colourful.
(RLJ Entertainment / Acorn)
19 hours, 50 minutes
It is no accident that Broadchurch has grabbed Britain’s attention and held it over a few years. This excellent show is all about brokenness among beauty and how a small community copes when tragedy happens and “everybody’s got something to hide.”
There are plenty of reasons for its success, but here are just three for starters.
Tracing the spiritual thread through Jethro Tull’s catalogue is a puzzling job. On Aqualung – the album that catapulted them up the ranks of classic rock bands – singer Ian Anderson was clearly angry with the Church, which could explain the somewhat pagan stance that he seemed to take on later, more rural albums like Songs from the Wood.
When it came to his solo records, one instrumental commission called Divinities had a distinctly multi-faith cover.
All of this made it surprising that Tull then released a proper Christmas album that included some pro-Jesus songs among the traditional carols. Anderson has also been performing regular charity concerts to support church buildings. His new release, The String Quartets, was recorded in Worcester Cathedral and sports the logo of The Churches Conservation Trust in its liner notes.
So does this constitute a coming to faith or a maturing of his world view? And what caused that early vitriol?